Obsession Oil on Canvas. 56x78cm. 2023

About:

“Obsession” weaves a narrative of a man versus nature, captured in a moment of contemplation within a manicured landscape. This artwork explores an obsession with the meticulous act of cutting grass, showcasing the delicate balance between manipulating the natural environment and enhancing one’s surroundings. As the fading light envelops the scene, it prompts reflection on the banality of life. The artwork channels Gertrude Stein’s wisdom: “The artist’s job is not to succumb to despair but to find an antidote for the emptiness of existence.” It challenges traditional perspectives, flattening and accentuating material planes, ultimately seeking reason within the confines of our material world.

“Obsession” Is an Award winning artwork Judged at the Craigs Aspiring art awards Wanaka 2024

Sepia Artwork Titled Chaise lounge with boulevard

Illuminated Boulevard With Chaise Longue 27x34cm Bitumen on Canvas Board.

About:

It depicts an illuminated boulevard with a chaise longue, reimagining inside spaces outside. The artwork explores the concept of a more connected architectural space defined by thin blueprint lines instead of walls. Earth tones referencing a grounding to nature. This theme has been present in the artist’s work since 2015, as seen in their piece Point of Reference. Other sepia paintings, such as The Illusion, are also part of their collection.

This artwork has themes which are ongoing in my work and which started in 2015 when Point of Reference was completed.

Other Sepia paintings include The Illusion

Below are examples of the framed work in Situ

Mirage Painting Titled: Fata Morgana Oil on Canvas xcm 130×170.

“Fata Morgana” is a mirage painting which captures the viewer’s attention with its vibrant colours and intricate brushwork. The artist skillfully portrays the illusionary nature of a mirage through the use of soft, flowing forms and a dream-like atmosphere.

The large canvas mirage artwork composition invites viewers to immerse themselves in its ethereal beauty and contemplate the transient nature of perception.

Collis’s exploration of clouds as a subject matter is not limited to “Fata Morgana.” In “The Antidote to Despair,” the artist delves deeper into the emotional significance of clouds, offering a sense of hope and resilience in the face of adversity. Similarly, “Big Cloud” showcases the artist’s ability to create dynamic compositions that evoke a sense of awe and wonder.

Through these works, Collis demonstrates a profound understanding of the symbolic power of clouds in capturing the imagination and inspiring contemplation.

Wikipedia best describes this title “Fata Morgana”

Below are Scale images of the Mirage Painting in Situ.

Please, by all means, send me an image of where you would like to hang this artwork, and I can provide you with a mock-up. Important to note is that this work comes framed as seen below.

For More artwork available for sale check out Available Works

Washing in the wind oil painting on canvas. Turquoise, blue, pinks and yellow colours blow in the wind. Clouds rise behind the house. The subject is located on the outskirts of an Eastern Bay of Plenty town on State highway 2 known as Opotiki.

This work is part of the new prints section and is part of a limited edition.

Road to Mahia

Original Oil Painting by Angus Collis. This was a commissioned piece of work and is available in print, please refer to the prints page for more info.

This work is one of many in a series of Botanical paintings. This work is currently in Dunedin at the Artists room Gallery if you wish to view in person. Please refer to the latest evolution of these works.

Mirage, Cloud over water Mono Print. Please note this is a one off handmade fine art print.

To see a larger available cloud painting please see Fata Morgana ( Mirage ) Oil on Canvas. 130x170cm

Below is an example of the work framed and in Situ. For framing options please don’t hesitate to ask for advice.

Mono Print cloud over water

Textured trees with river artwork, Titled Pott’s Way 80x100cm

Titled: Pott’s way. Oil on Canvas 80x108cm Oil on Canvas 2022(SOLD)

During my time in the Opotiki area, I created textured trees with river artwork. This piece was inspired by the often forgotten rear entrance to the town, where industrial buildings line the streets. The trees themselves are not real, but rather a symbolic representation of hope for a better future. They reach towards the sky, symbolizing a limitless connection to the heavens above. The ground, unseen from this perspective, becomes a metaphorical ceiling. The mention of Pott’s in the title is a nod to Norman Potts played a role in tree conservation in Opotiki. Namely Hukutaia Domain.

The New Zealand landscape has been an ongoing theme in Collis work, other great examples of rural nz landscapes are Castles and logrollers

Dry Farming Landscape, Railway Farm

Title: Railway Farm oil on canvas 39x48cm

Railway Farm was painted whilst Collis was in Spain. Often trips were taken through the interior of Spain from one coast to another. The landscape is contrasted to Collis’s familiar home of New Zealand. One of many rural landscape paintings. For example Country Road.

This work is available in print at the same size as the original 39x49cm

Scales

Scales 130cmx170cm Oil on Canvas. Year 2023. This work is part of a series including 3 Paths

This artwork is also available in print where you can read more information about the piece.

artwork framed and in place and to scale

Above: Artwork in Situ. Please contact me if you would like to see this painting in a photographed enviroment of your choice.

Scales in situ.

3 Paths 130x170cm Oil on Canvas. Year:2023

3 Paths is part of a series which includes the work Scales

3 paths in Situ

Above: Artwork in Situ.

“Castles” Limited Edition Woodblock Print 32.5×32.5cm

About:

This artwork originates from a blend of my surroundings and personal interpretation. I often merge and stylize photographs taken from my environment in my creative process. For this piece, the focus is on light.

The initial idea came to me after returning from overseas, staying at a friend’s place. Jet-lagged and awake in the early morning, I was struck by the serene morning light over a small man-made lake nearby. Being away from familiar surroundings heightened my appreciation for the concept of home, making me reflect on its significance. The work is titled “Castles” – why? A rock, a cornerstone worth defending, simply, my Kiwilandia.

Other modern art prints for sale are in the prints section, namely “Yellow Trees” and “Log Rollers”.

Explore the iconic works of Collis, celebrated for his masterful use of New Zealand imagery and vibrant color palettes. From captivating urban scenes to expansive landscapes and tranquil forest settings, an example of original art from New Zealand.

  • Medium: Woodblock print
  • Edition: Limited to 70 prints
  • Size: 32.5 cm x 32.5cm
  • Signature: Hand signed

The Making of “Castles”

vimeo link

Castles Framed and in Situ

Castles Framed

Trees Next to Water Painting Titled: The Last Hour

Angus Collis crafted a 130x170cm oil painting titled The last hour depicting trees positioned beside water. His artwork frequently incorporates tree imagery, capturing scenes from Spain to New Zealand. Notably, the horizon is often visible, deliberately placed at right angles to the foreground objects, resulting in an unsettling effect.

If you like this work please check out other artworks for sale in the available works section of this website

Pataka Oil on Canvas 130x170cm

This artwork was created as a commission piece with the brief summary being to create a painting with trees in blue and yellow. Interestingly the client is partially colour blind and needed colours that they would recognise. Needless to say, they were extremely happy with the result.

At the moment this work is being proofed for print, getting the colours right is taking some time but as they say all good things take time. If you are interested in a print of this artwork, feel free to contact me and I will put you on the list to recieve one of the first prints from this edition.

The reference to Pataka is illustrated in the small houses or some might say letter boxes, each to their own.